L'Évidence Éternelle

This lithograph was printed and published in 2004 in our Art-Lithographies workshop in Paris using 100% cotton 300 g/m² BFK Rives paper. Artwork entirely made in France: from the production of the paper in Arches in the Vosges department, to the traditional lithographic printing process, one drawing for each different color, one color per press run.

 

The lithograph was authorized, supervised and validated by the ADAGP (Society of Authors in the Graphic and Plastic Arts) and by Mr. Charly Herscovici, President of the Magritte Foundation, Chairman of the Magritte Museum and unique representative of the Magritte Succession.

Brussels Giso 1931, no. 16

Brussels PBA April 1931, no. 190

Brussels PBA Dec. 1931, no. 42

Antwerp Feestzaal 1935, no. 136

London Burlington 1936, no. 171

Charleroi CRAL 1956, no. 50

Otterlo Kröller-Müller etc. 1957-9

Knokke Casino 1962, no. 34

Humlebaek Lousiania 1967, no. 38

Brussels PBA 1967, no. 53

Rotterdam Boymans 1967, no. 29

Stockholm Museet 1967, no. 20

New York MOMA March 1968, no. 178

Los Angeles CMA 1968, no. 178

Chicago Art Institute 1968, no. 178

London Tate 1969, no. 32

Paris Grand Palais 1972, no. 118

Brussels PBA 1978, no. 99

Paris MNAM 1979, no. 99

Humlebaek Lousiana 1983, no. 44

Høvikodden Kunstsentret 1984, no. 36

Munich Kunsthalle 1987, no. 32

Letters from Magritte to André Souris [mid-Jan. 1930], in Lettres surréalistes, no. 179

Letters from Magritte to Nougé [first half of Feb. 1930], in Lettres surréalistes, no. 181

Letter from Magritte to Mesens, 10 June 1930, in Lettres mêlées, p. 29

David Sylvester, 'Round the London art galleries', The Listener (London), 20 Nov. 1958, p. 842

Berger 1969, pp. 450 and 451

Vovelle 1970, p. 107

Metken 1977, p. 251

Hughes 1980, p. 247

SASDLR no. 6, 15 May 1933

David Gascoyne, A Short Survey of Surrealism, London, 1935, p. [84]

Surrealism, ed. Herbert Read, London, 1936, pl. 49

Evening Standard (London), 11 June 1936, p. 7

Nougé 1943, p. 16